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Complex Envelopes #2

It is possible to make the two sections of FALISTRI interact with eachother: in this patch, the yellow generator’s Loop state is activated by the green envelope, which controls its frequency and amplitude as well.

2019-05-16

techniques
Clock Bursts #1

A simple but effective way of creating clock bursts with SAPÈL. Use the unquantized S&H to modulate the clock rate, and the probability distribution to regulate the clock density.

2019-04-11

techniques
Percussion Sounds #1

Use FUMANA with FALISTRI and SAPÈL to create cool percussion sounds! FUMANA can transform a simple noise source into many different percussion sounds – at the same time! In this patch we’ll go through a handful of possibilities: claves, shakers and cymbals.

2019-04-04

techniques
Accents #2

Another way of adding some spice to your patterns! Use SAPÈL’s S&H to modulate the Fall time of FALISTRI’s envelope: when applied to some white noise, it will provide a sort of open/closed HiHat sound.

2019-03-28

techniques
Accents #1

Add some dynamics to your patterns through FALISTRI’s MAX out! This patch uses both SAPÈL’s clocks: the main one provides the steady pulse by triggering FALISTRI’s green envelope, the random one trigs the yellow envelope which adds some extra accents: the two envelopes are blended through the MAX output.

2019-03-23

techniques
Ratcheting-Like Effect #2

This time we’ll get a more spicy ratcheting-like effect! SAPÈL’s n+1 output provides voltages tuned in octaves. If the target oscillates below audio rate, it will simply double its frequency, with interesting ratcheting effects.

2019-03-07

techniques
Ratcheting-Like Effect #1

Get some ratchets out of that envelope! FALISTRI’s frequency divider provides gates out of incoming trig signals. In this patch, they are used to automatically change the generator’s mode, from transient to cyclical, and back.

2019-02-28

techniques
Complex Envelopes #1

Some bell-like sounds with two FALISTRI together! The left Falistri generates an articulated modulation thanks to its MAX output, the second one provides a ringing tone with a sort of exponential FM, modulated by Sapèl.

2019-02-22

techniques
Pitch Smoothing

Here are some behaviors of FALISTRI’s four quadrant multiplier! Its two inputs are normalled to the yellow unipolar and the green bipolar outs. This means that if the green generator is used as audio oscillator, the yellow one controls its amplitude.

2019-02-03

techniques
VCA / AM / RM

Here are some behaviors of FALISTRI’s four quadrant multiplier! Its two inputs are normalled to the yellow unipolar and the green bipolar outs. This means that if the green generator is used as audio oscillator, the yellow one controls its amplitude.

2019-01-30

techniques