- EURORACK
- CUNSA – Sound Seasoning
- CGM – Creative Mixer Series
- BRENSO – Entangled Sound Sources
- USTA – The Voltage Score
- FALISTRI – Movement Manager
- SAPÈL – Tamed Random Source
- FUMANA – Dual 16 Bands Spectral Editor
- 321 – Scale + Flip + Shift + Combine
- 333 – ProAudio Sum & Distribution
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- SEI – trunk lines – discontinued
- UNO – foldable case
- PLUS – modular modular case
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At last: the Krell Patch on a Frap Tools modular system!
It’s time to confront ourselves with a pinnacle of modular synth techniques: Todd Barton’s Krell Patch.
2024-02-14 -
How to make vowel-like formant filtering with the CUNSA
Time for some serious formant filtering with the CUNSA and USTA dream combo!
2024-02-14 -
Let’s make a sample-and-hold feedback patch à la Rob Hordijk.
Let’s make some serious SAPÈL feedback patching! Today we draw inspiration from Rob Hordijk’s talks about sample-and-hold circuits and chaos theory.
2024-02-14 -
Let’s use CUNSA as a formant filter (but not the one you expect)
There is this lovely paragraph in Allen Strange's Electronic Music where he discusses formant frequencies of rooms and equipments. However, they are not exactly what we may think of today!2024-02-14 -
The bass sound of Pet Shop Boy’s West End Girls on a Frap setup is a tough challenge (but we did it)
The bass sound of Pet Shop Boy’s West End Girls on a Frap setup is a tough challenge (but we did it)
2024-02-14 -
A patch inspired by sympathetic strings with FUMANA
This FUMANA patch draws inspiration straight from sympathetic strings, a device that can be found on many instruments like the European nyckelharpa or the Indian sitar.
2024-02-14 -
The legend of BRENSO’s pulse-width modulation
PWM is a huge part of everyday electronics, but it is also a classic synth sound, to the point it reached a cult (if not meme) status.
A Eurorack oscillator like BRENSO wouldn’t have been completed without a PWM section, and today we’re exploring it in detail. It might not be the most obvious feature, since it is nestled into the timbre modulation section, but it is capable of wild timbres.
2024-02-14 -
Bird-like sequences with bizarre clocks thanks to USTA and FALISTRI
Time to explore more quirky interactions between USTA and FALISTRI!
2024-02-14 -
Programming sequences with Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns
Slonimsky’s Thesaurus is quite a strange music book, but its impact on Jazz and experimental musicians has been enormous. Today we tiptoe into this extravagant world to see if there’s anything interesting for our USTA sequencer!
2024-02-14 -
Understanding CUNSA’s gain staging: VCA, character, Q, mixer
In another video we shed some light on the basis of gain staging. Today, we’ll put them into practice with our CUNSA filter!
2024-02-14
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Recent Posts
- CUNSA v/s FUMANA: The same patch on two different filters!
- Subharmonic formant arpeggios patch breakdown: a classic Falistri patch!
- Memes aside, let’s make Sandstorm by Darude on our Frap Tools system
- Four tips to use CUNSA as a sound source (including ringing and additive synthesis)
- ‘Glass sounds‘ analog through-zero FM patch breakdown with Brenso and Cunsa!