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- USTA – The Voltage Score
- FALISTRI – Movement Manager
- SAPÈL – Tamed Random Source
- FUMANA – Dual 16 Bands Spectral Editor
- 321 – Scale + Flip + Shift + Combine
- 333 – ProAudio Sum & Distribution
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- SEI – trunk lines – discontinued
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- PLUS – modular modular case
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Category / talks
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What are modes and why they’re all over the USTA sequencer
We started from the overtone series and we arrived at Western tonal harmony. However, we left something behind: the modes. In today’s video, we’ll see what they are, and why they seem such a vague concept.
2024-02-14 -
Recreating Prodigy’s “Smack My Bitch Up” lead sounds with a Frap Tools system
Originally made on a Korg Prophecy, this acid-303-inspired sound became famous thanks to Prodigy's Smack my Bitch Up. Today we will try to replicate it on our Frap Tools system! The idea…2024-02-14 -
New panel printing method
Those of you with a particularly fine eye may have already noticed it: with Cunsa, we introduce a new panel printing method. Such change has two advantages and one drawback. The drawback…2023-12-14 -
We used our CUNSA quad multimode filter as a phaser.
Is it a phaser? No! Will this stop us from using it as a phaser? Also no!
2023-09-15 -
The wonderful world of gain staging, or: how to balance your Eurorack signals
Today we’ll introduce the topic of gain staging because yes. We’ll explore the concepts of gain versus volume, headroom, and saturation. We’ll also do some examples, like how to interface a modular synth with guitar pedals and how to interface a guitar with a modular synthesizer. At the end, a bonus tip on saturation.
2023-09-15 -
How to shift gates to spice up a boring sequence on the USTA
This patch came up during a past live workshop on the USTA sequencer. It was an advanced session and one of the main questions was: “how can I get enough variation on a repetitive loop?”
2023-09-15 -
What is tonal harmony and why it is relevant to the USTA sequencer
Tonal harmony might sound super old and boring but it’s never going to die, whether we like it or not! In this video, we will see what it is and why it might be worth a chance with the USTA sequencer.
2023-09-15 -
How does BRENSO generate its wave forms and how to win an extra analog sawtooth!
Today we’ll explore BRENSO’s core, its generation circuits, and by the end we’ll add an extra waveform to the stock ones!
2023-09-15 -
Analog drum machine sounds with the CUNSA filter!
Today we want to create some percussive sounds with the CUNSA, starting from a classic 808 kick. Check out the power of the pinging circuit and some cross-patching for a nasty drive!
2023-09-15 -
Notes, intervals, tuning, temperament: the basics of music and their impact on the USTA sequencer
In the previous video, we got a glimpse of how notes and overtones are related. Today, we’ll see how we came to 12 notes in the West.
2023-09-15
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Recent Posts
- CUNSA v/s FUMANA: The same patch on two different filters!
- Subharmonic formant arpeggios patch breakdown: a classic Falistri patch!
- Memes aside, let’s make Sandstorm by Darude on our Frap Tools system
- Four tips to use CUNSA as a sound source (including ringing and additive synthesis)
- ‘Glass sounds‘ analog through-zero FM patch breakdown with Brenso and Cunsa!