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  • Timbre Randomness

    Sometimes it's all about having fun. And with SAPÈL and BRENSO, it's A LOT of fun!⁠ Simply patch the Random Clock out to the Ping input, then route the S&H out to…
  • Spectral Sequencing

    USTA has 16 outputs, FUMANA 16 bands. Let'stake advantage of this coincidence!⁠ We patched every CV and gate output to an individual band VCA. We set all the four tracks to the…
  • Timbre Sequencing

    Another dialogue between USTA and BRENSO: this time, we patched some Raw CV outputs to various CV inputs of the Timbre section. As a result, the fairly simple sequence of the beginning…
  • Voltage-Controlled LFO

    BRENSO trigs USTA that controls BRENSO that... Ok, back from the beginning!⁠ We set the green oscillator to LFO and used its square output as a clock for our USTA sequencer.⁠ Then,…
  • USTA Chords

    A simple, yet effective way to get some arcade-like chord stabs with the USTA sequencer! INGREDIENTS 1 USTA 1 FALISTRI (envelope) BRENSO or FALISTRI to taste (sound sources) 1 333 CGM DIRECTIONS…
  • TZFM Modulator Sequencing

    Here's an advanced use for USTA’s Raw Voltages!⁠ In this patch, we use two sequences to achieve a complex, through-zero FM BRENSO patch.⁠ The first sequence outputs pitch voltages and controls the…
  • Wavefolder Ratcheting

    In this video, we’re throwing some gates into the Wavefolder Ping input—and nothing else. No envelopes, no VCAs... all the articulation comes from these two modules!⁠ INGREDIENTS BRENSO USTA DIRECTIONS Patch the…
  • Linear Through-Zero Frequency Modulation

    In this patch, we’re doing some massive linear FM: the yellow oscillator is our carrier, and the green one is our modulator.⁠ TZFM is a special kind of frequency modulation that allows…
  • Source and Wavefolder

    BRENSO’s waveshaper gets a mixture of the two wavefolders, which you can control through the Source knob. Then, it folds them again, and again, and again, in an explosion of overtones. You…
  • Pulse Shaper

    Here’s Brenso’s second waveshaper, and there’s a lot under the hood!⁠ First, a comparator generates a pulse wave, either from the triangle core or from the result of the first waveshaper. In…