Today we explored another way of using FUMANA’s ALL E.F. output. We used it to tame our reverb send and clear up the mix!

We took advantage of the 321 to scale, invert, and offset it, then patched the result to the QSC effect send.⁠

That’s an easy way to avoid an overcrowded reverb tail!

 

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Un post condiviso da Frap Tools (@fraptools)

INGREDIENTS

• FALISTRI
• ( SAPÈL for pitch variations)

DIRECTIONS

1. Patch SAPÈL’s Pink Noise output to FUMANA’s Main input and adjust the input gain to taste.
2. Patch FUMANA’s All output to a C, SC, or to the first or fourth QSC channel.
   It is important that it has a voltage-controllable effect send.
3. Patch SAPÈL’s Random Clock output to FUMANA’s Mod input and adjust the input gain to taste.
4. Patch SAPÈL’s Main Clock output to FALISTRI’s yellow Trig/Gate input.
5. Set FALISTRI’s time scale to Long and its behavior to Transient.
6. Set the Rise knob fully counterclockwise and the Fall knob to 11 o’clock.
7. Patch FALISTRI’s unipolar output to FUMANA’s Tilt CV input.
8. Patch SAPÈL’s S&H output to FALISTRI’s Fall CV input.
9. Add some reverb through the CGM’s Send/Return.
   This will add some ambience, but also make the patch more muddy.
10. Patch FUMANA’s ALL EF output to a section of the 321.
11. Invert the signal and add a positive offset.
12. Patch the 321 section output to the reverb send’s CV input.
    Now whenever SAPÈL’s clock strikes FUMANA the reverb send closes, making it tidier.