- EURORACK
- CUNSA – Sound Seasoning
- CGM – Creative Mixer Series
- BRENSO – Entangled Sound Sources
- USTA – The Voltage Score
- FALISTRI – Movement Manager
- SAPÈL – Tamed Random Source
- FUMANA – Dual 16 Bands Spectral Editor
- 321 – Scale + Flip + Shift + Combine
- 333 – ProAudio Sum & Distribution
- SILTA 2016 – discontinued
- SEI – trunk lines – discontinued
- UNO – foldable case
- PLUS – modular modular case
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Category / techniques
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Clock Bursts #2
Clock bursts, but without losing the beat! Use the Global Rate of Change to create expressive clock bursts through the Random Clock out – this won’t affect the steady pulse of your…2019-07-17 -
Fumana Feedback #2
A sort of resonating FUMANA through controlled feedback. In this patch we’ll use a 321 to blend together the signals to be filtered and the fed-back signal. It allows us to control…2019-07-17 -
Synth Voice
FALISTRI can work as a self-sufficient synth voice! The four-quadrant multiplier can work as a pretty simple VCA. The yellow unipolar output and the green bipolar one are semi-normalled to the two inputs: this means that the yellow generator can work as an envelope, and the green one as an audio-rate oscillator.
2019-07-17 -
Fumana Feedback #1
How to make a non-resonating filterbank resonate. In this patch we’ll set two separate feedback loops using the ODD and EVEN outputs and the Direct Out of the CGM Channel. It is possible to flip the phase to get more interesting tones. Add some reverb for instant-70s-psychedelia! Watch out, screaming tones ahead…
2019-07-17 -
Fluctuating Random & Global Rate of Change
Fluctuating random is not just fluctuating random… Each of the two fluctuating knobs (marked by a dice ⚄) also controls the density of the random clocks. It can be very useful in crowded patches!
2019-07-17 -
Percussion Sounds #2
More percussion sounds with FUMANA and various noise sources Fumana’s modulation input welcomes trigs as well, which provide a lovely “woody” tone reminding some kind of lopass gate.
2019-07-17 -
Formant / Sync
This patch explores the different behaviors of FALISTRI’s green generator, but at audio rate! When it is is set ‘On Rest’, it will ignore all the incoming trigs until it has reached its ‘Rest’ stage; when its frequency is lower than the master oscillator, it will divide its frequency in a ‘formant-like’ effect.
2019-07-17 -
On Rest / To Rise
Explore this “hidden feature” of FALISTRI’s green generator! A switch on the PCB lets you choose between two different retrig behaviors: ‘on rest’ retrigs the green envelope only if it has reached its End of Fall; ‘to rise’ simply recalls the rising stage from whichever level the envelope is in, just like the yellow generator.
2019-07-17 -
Arpeggios Without Arpeggiator
IDEA One of the best ways to foster creativity is to constrain yourself into a small environment and try to get the most out of it: in this case, we show you…2019-07-11 -
Spectral Transfer with Interferences
IDEA Sometimes it is nice to have control over your sound; some others, it is better to just let the instrument follow its own path. In this patch, we wanted to do…2019-06-04
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Recent Posts
- CUNSA v/s FUMANA: The same patch on two different filters!
- Subharmonic formant arpeggios patch breakdown: a classic Falistri patch!
- Memes aside, let’s make Sandstorm by Darude on our Frap Tools system
- Four tips to use CUNSA as a sound source (including ringing and additive synthesis)
- ‘Glass sounds‘ analog through-zero FM patch breakdown with Brenso and Cunsa!