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Usta Envelopes #2

Here’s another example of USTA’s CV B used to create some funky envelopes to spice up this acid sequence!

2021-04-20

techniques
Usta Polymeter #1

Thanks to USTA, we could create an evolving rhythmic structure with just two BRENSO sine waves playing in unison.⁠ The key, here, is removing just one stage from one of the sequences.⁠

2021-04-20

techniques
Timbre Modulation Bus #2

BRENSO is all about access. Here’s why we separated the Timbre Modulation Bus from the actual Timbre section.⁠

2021-04-20

techniques
Amplitude Modulation #1

Use the AM/RM Crossfade to bring in your FINAL output an amplitude-modulated copy of the sound coming out of the Wavefolder.⁠

2021-04-20

techniques
Timbre Modulation Bus #1

This is another thing that we absolutely wanted in our BRENSO: an “open” modulation bus for the timbre section.⁠

2021-04-20

techniques
Pattern Shift

On the USTA sequencer, the Pattern Shift function allows you to change the pattern order with external CV, but still within the Pattern Loop of your choice!

2021-01-30

techniques
Timbre Mod VCA and Self Modulation

You can break the internal semi-normalization and patch any AC or DC input to the Timbre Modulation Bus!

2021-01-30

techniques
USTA Clock Out

That’s exactly how it sounds like – this tiny little trick allows you to have a clock output straight out of a USTA’s Gate output, regardless of how syncopated your melody was!

2021-01-30

techniques
Varishift

Variating variations for advanced minimalism! Use the Varishift control to change the probability that the stage values will change, and add even more unpredictability to your patches.

2021-01-30

techniques
Flip-Flop Flip Sync

Everybody loves the harmonic series! We like it so much, that we wanted to beef it up with some sub-octaves. We made our synced-oscillator sing its song, too!⁠

2020-11-30

techniques