Tag / sapèl

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  • Clock Bursts #2

    Clock bursts, but without losing the beat! Use the Global Rate of Change to create expressive clock bursts through the Random Clock out – this won’t affect the steady pulse of your…
  • Fumana Feedback #2

    A sort of resonating FUMANA through controlled feedback. In this patch we’ll use a 321 to blend together the signals to be filtered and the fed-back signal. It allows us to control…
  • Fumana Feedback #1

    How to make a non-resonating filterbank resonate. In this patch we’ll set two separate feedback loops using the ODD and EVEN outputs and the Direct Out of the CGM Channel. It is possible to flip the phase to get more interesting tones. Add some reverb for instant-70s-psychedelia! Watch out, screaming tones ahead…

  • Fluctuating Random & Global Rate of Change

    Fluctuating random is not just fluctuating random… Each of the two fluctuating knobs (marked by a dice ⚄) also controls the density of the random clocks. It can be very useful in crowded patches!

  • Percussion Sounds #2

    More percussion sounds with FUMANA and various noise sources Fumana’s modulation input welcomes trigs as well, which provide a lovely “woody” tone reminding some kind of lopass gate.

  • Clock Bursts #1

    A simple but effective way of creating clock bursts with SAPÈL. Use the unquantized S&H to modulate the clock rate, and the probability distribution to regulate the clock density.

  • Percussion Sounds #1

    Use FUMANA with FALISTRI and SAPÈL to create cool percussion sounds! FUMANA can transform a simple noise source into many different percussion sounds – at the same time! In this patch we’ll go through a handful of possibilities: claves, shakers and cymbals.

  • Accents #2

    Another way of adding some spice to your patterns! Use SAPÈL’s S&H to modulate the Fall time of FALISTRI’s envelope: when applied to some white noise, it will provide a sort of open/closed HiHat sound.

  • Accents #1

    Add some dynamics to your patterns through FALISTRI’s MAX out! This patch uses both SAPÈL’s clocks: the main one provides the steady pulse by triggering FALISTRI’s green envelope, the random one trigs the yellow envelope which adds some extra accents: the two envelopes are blended through the MAX output.

  • Ratcheting-Like Effect #2

    This time we’ll get a more spicy ratcheting-like effect! SAPÈL’s n+1 output provides voltages tuned in octaves. If the target oscillates below audio rate, it will simply double its frequency, with interesting ratcheting effects.