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- CUNSA – Sound Seasoning
- CGM – Creative Mixer Series
- BRENSO – Entangled Sound Sources
- USTA – The Voltage Score
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- SAPÈL – Tamed Random Source
- FUMANA – Dual 16 Bands Spectral Editor
- 321 – Scale + Flip + Shift + Combine
- 333 – ProAudio Sum & Distribution
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- SEI – trunk lines – discontinued
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Tag / brenso
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Timbre Sequencing
Another dialogue between USTA and BRENSO: this time, we patched some Raw CV outputs to various CV inputs of the Timbre section. As a result, the fairly simple sequence of the beginning becomes surprisingly alive!
2020-08-31 -
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USTA Chords
A simple, yet effective way to get some arcade-like chord stabs with the USTA sequencer!
2020-08-31 -
TZFM Modulator Sequencing
In this patch, we use two sequences to achieve a complex, through-zero FM BRENSO patch.
2020-07-30 -
Wavefolder Ratcheting
In this video, we’re throwing some gates into the Wavefolder Ping input—and nothing else. No envelopes, no VCAs… all the articulation comes from these two modules!
2020-07-30 -
Linear Through-Zero Frequency Modulation
In this patch, we’re doing some massive linear FM: the yellow oscillator is our carrier, and the green one is our modulator.
2020-07-30 -
Source and Wavefolder
BRENSO’s waveshaper gets a mixture of the two wavefolders, which you can control through the Source knob. Then, it folds them again, and again, and again, in an explosion of overtones. You can use the symmetry control to push it even further!
2020-07-30 -
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Triangle Shaper
The Triangle Shaper is the first part of BRENSO’s Timbre Section. It morphs the triangle wave to a quasi-sine and a sort of logarithmic waveform.
2020-06-30
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Recent Posts
- CUNSA v/s FUMANA: The same patch on two different filters!
- Subharmonic formant arpeggios patch breakdown: a classic Falistri patch!
- Memes aside, let’s make Sandstorm by Darude on our Frap Tools system
- Four tips to use CUNSA as a sound source (including ringing and additive synthesis)
- ‘Glass sounds‘ analog through-zero FM patch breakdown with Brenso and Cunsa!