Tag / brenso

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  • Timbre Sequencing

    Another dialogue between USTA and BRENSO: this time, we patched some Raw CV outputs to various CV inputs of the Timbre section. As a result, the fairly simple sequence of the beginning becomes surprisingly alive!

  • Voltage-Controlled LFO

    High note=fast clock, low note=slow clock!⁠

  • USTA Chords

    A simple, yet effective way to get some arcade-like chord stabs with the USTA sequencer!

  • TZFM Modulator Sequencing

    In this patch, we use two sequences to achieve a complex, through-zero FM BRENSO patch.⁠

  • Wavefolder Ratcheting

    In this video, we’re throwing some gates into the Wavefolder Ping input—and nothing else. No envelopes, no VCAs… all the articulation comes from these two modules!⁠

  • Linear Through-Zero Frequency Modulation

    In this patch, we’re doing some massive linear FM: the yellow oscillator is our carrier, and the green one is our modulator.⁠

  • Source and Wavefolder

    BRENSO’s waveshaper gets a mixture of the two wavefolders, which you can control through the Source knob. Then, it folds them again, and again, and again, in an explosion of overtones. You can use the symmetry control to push it even further!⁠

  • Pulse Shaper

    Here’s Brenso’s second waveshaper, and there’s a lot under the hood!⁠

  • Triangle Shaper

    The Triangle Shaper is the first part of BRENSO’s Timbre Section. It morphs the triangle wave to a quasi-sine and a sort of logarithmic waveform.