Tag / brenso

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  • Timbre Modulation Bus #1

    This is another thing that we absolutely wanted in our BRENSO: an “open” modulation bus for the timbre section.⁠

  • Timbre Mod VCA and Self Modulation

    You can break the internal semi-normalization and patch any AC or DC input to the Timbre Modulation Bus!

  • Flip-Flop Flip Sync

    Everybody loves the harmonic series! We like it so much, that we wanted to beef it up with some sub-octaves. We made our synced-oscillator sing its song, too!⁠

  • Quadrature Drones

    Quadrature Mode is more than just ADSR: in this patch we use it to create two interconnected LFOs, which animate the stereo image of our BRENSO oscillator.⁠

  • Self-Pinging BRENSO

    Even harder – a groove with BRENSO alone!⁠ Set the green oscillator’s frequency range to Low, open the Timbre Modulation Bus, patch the green square output to the Ping input, and you’re ready to go.⁠

  • USTA Envelopes #1

    That’s another fun trick to add articulation to your patch when you’ve already run out of control sources.⁠ Set USTA’s CVB to its green color, then play with its values to create rising and falling voltages.⁠

  • Spectral LFO

    Here’s what BRENSO’s green oscillator is capable of when used as an LFO!⁠ We patched its square out to FUMANA’s mod input: this will excite the envelope followers and “ping” the filters.⁠ We then patched its saw out to the parametric scanner CV input, and let the phase relationship do the rest!

  • TZFM Spectral Transferring

    BRENSO as carrier AND modulator! Here’s what’s happening:⁠ the yellow FINAL output is FUMANA’s carrier⁠, the green Saw output is FUMANA’s modulator⁠, BUT the yellow oscillator is also modulating the green one!⁠ So, the yellow oscillator is frequency-modulating the green one which in turn is performing spectral transferring over the Final waveform.⁠

  • Timbre Randomness

    Sometimes it’s all about having fun. And with SAPÈL and BRENSO, it’s A LOT of fun!⁠ Simply patch the Random Clock out to the Ping input, then route the S&H out to the four Timbre parameters through the Timbre Modulation Bus.⁠ Then, sit back and enjoy this ever-changing rhythm!

  • Spectral Sequencing

    USTA has 16 outputs, FUMANA 16 bands. Let’s take advantage of this coincidence!⁠