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  • Quadrature #1

    Patch the EOR output into the first frequency divider input, mix all the (bipolar!) outputs into your 321 and fatten up your sound with every possible blend of three octaves!

    2019-09-03
    techniques

  • Octave Blends

    Patch the EOR output into the first frequency divider input, mix all the (bipolar!) outputs into your 321 and fatten up your sound with every possible blend of three octaves!

    2019-09-03
    techniques

  • Random Clocks #2

    Clock randomness and dummy cables! Normally, the external clock input doesn’t handle fluctuating voltages as trigs. Fear not! You can still use the Gate / CV in to trig your SAPÈL! This works together with the internal clock: if you want total randomness, you can use a dummy cable to block the clock generation and use only the external CV.

    2019-09-03
    techniques

  • FUMANA Feedback #3

    What about a FUMANA Feedback AND a spectral transfer – at the same time? In this patch, we’ll use the feedback trick to emphasize the modulation of an oscillator over a pink noise. It works great when vocoding, too!

    2019-09-03
    techniques

  • Percussion Sounds #3

    Parametric scanning for creative percussion sounds. In this patch we’ll take advantage of two separate envelope outputs of the same FALISTRI channel to shape a pink noise into some percussive sounds. The key element here is the Parametric Scanning function available in the lower section of the FUMANA filter bank!

    2019-07-22
    techniques

  • Kick Drum #2

    Creative kick drum sound with FUMANA’s envelope followers! In this patch we’ll process a low sound from FALISTRI through FUMANA’s filterbank, we’ll use a random trig from SAPEL as modulation source and then feed some of the resulting envelopes back into FALISTRI to modulate the tone.

    2019-07-17
    techniques

  • Clock Bursts #2

    Clock bursts, but without losing the beat! Use the Global Rate of Change to create expressive clock bursts through the Random Clock out – this won’t affect the steady pulse of your…
    2019-07-17
    techniques

  • Fumana Feedback #2

    A sort of resonating FUMANA through controlled feedback. In this patch we’ll use a 321 to blend together the signals to be filtered and the fed-back signal. It allows us to control…
    2019-07-17
    techniques

  • Synth Voice

    FALISTRI can work as a self-sufficient synth voice! The four-quadrant multiplier can work as a pretty simple VCA. The yellow unipolar output and the green bipolar one are semi-normalled to the two inputs: this means that the yellow generator can work as an envelope, and the green one as an audio-rate oscillator.

    2019-07-17
    techniques

  • Fumana Feedback #1

    How to make a non-resonating filterbank resonate. In this patch we’ll set two separate feedback loops using the ODD and EVEN outputs and the Direct Out of the CGM Channel. It is possible to flip the phase to get more interesting tones. Add some reverb for instant-70s-psychedelia! Watch out, screaming tones ahead…

    2019-07-17
    techniques