Loading cart contents...
Category / techniques
-
![]()
TZFM Spectral Transferring
BRENSO as carrier AND modulator! Here’s what’s happening: the yellow FINAL output is FUMANA’s carrier, the green Saw output is FUMANA’s modulator, BUT the yellow oscillator is also modulating the green one! So, the yellow oscillator is frequency-modulating the green one which in turn is performing spectral transferring over the Final waveform.
-
![]()
Timbre Randomness
Sometimes it’s all about having fun. And with SAPÈL and BRENSO, it’s A LOT of fun! Simply patch the Random Clock out to the Ping input, then route the S&H out to the four Timbre parameters through the Timbre Modulation Bus. Then, sit back and enjoy this ever-changing rhythm!
-
![]()
Spectral Sequencing
USTA has 16 outputs, FUMANA 16 bands. Let’s take advantage of this coincidence!
-
![]()
Timbre Sequencing
Another dialogue between USTA and BRENSO: this time, we patched some Raw CV outputs to various CV inputs of the Timbre section. As a result, the fairly simple sequence of the beginning becomes surprisingly alive!
-
![]()
Voltage-Controlled LFO
High note=fast clock, low note=slow clock!
-
![]()
USTA Chords
A simple, yet effective way to get some arcade-like chord stabs with the USTA sequencer!
-
![]()
TZFM Modulator Sequencing
In this patch, we use two sequences to achieve a complex, through-zero FM BRENSO patch.
-
![]()
Wavefolder Ratcheting
In this video, we’re throwing some gates into the Wavefolder Ping input—and nothing else. No envelopes, no VCAs… all the articulation comes from these two modules!
-
![]()
Linear Through-Zero Frequency Modulation
In this patch, we’re doing some massive linear FM: the yellow oscillator is our carrier, and the green one is our modulator.
-
![]()
Source and Wavefolder
BRENSO’s waveshaper gets a mixture of the two wavefolders, which you can control through the Source knob. Then, it folds them again, and again, and again, in an explosion of overtones. You can use the symmetry control to push it even further!
Loading posts...
