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Category / ideas
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Live Patching 2: BRENSO and FUMANA
This patch uses BRENSO, FUMANA, and the USTA sequencer to create a dreamy soundscape with a gentle creaking background.
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Filter Banks
This Talk explores the concept of filter banks
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Frequency Modulation Part 1: Exponential FM
Today we'll begin our journey into BRENSO’s FM circuit, and we will start... From FALISTRI. Relax, take a breath, and prepare to dive into the world of exponential frequency modulation. Most analog… -
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FALISTRI Clock Manipulation #2
A variation on last week’s Technique: FALISTRI as a clock delay/clock divider controlled by USTA! The layout is the same: Track 1 runs at an internal clock; its gate B trigs… -
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FALISTRI Clock Manipulation #1
This time we used FALISTRI to play with USTA’s clock! We had our main track set to the internal clock, and then we used the gate B output to trig FALISTRI, whose… -
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Inverted V/Oct #2
Here's another cool trick to add some expressiveness to your lines with our 333 and 321: duplicate the V/oct signal, send a copy to the oscillator, and another to the 321. Then… -
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Falistri Fake Delay
Today we’ll use FALISTRI’s four-quadrant multiplier as a fake delay! By combining the two generators we can obtain a behavior similar to the repetition of a delay effect, slowly fading out. … -
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Two CGM Updates: Stereo Channel and Group
In this blog post, we talk about the release of two new CGM units: the new Stereo Channel, and an updated Group. We talk about their feature and our approach towards a modern Eurorack mixer.
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Clock Cross-Modulation #2
More messing around with USTA’s clock! Now CV B of track changes the clock tempo so that every stage has a different speed. It’s great for creating rubato and accelerando effects!
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Stage Shift Probability #3
We always showcased the stage shift function with a random S&H in sync with the current track. Now we play with different ratios: when the track is faster than the stage shift CV, USTA will play some sequence fragments before shifting again!
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