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Tag / usta
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Remaking a through-zero FM patch with some extra undertones
While archiving some footage, we stumbled across a very cool patch, so we chose to recreate it on this larger system here!
2023-09-15 -
Wiggly LFOs on the BRENSO (credit: Make Noise)
We’re using an offset to throw the yellow oscillator at sub-audio rate and use the timbre modulation section to create some weird-shaped LFOs. We further expanded it through FUMANA, USTA, and FALISTRI.
2023-06-26 -
Adding depth to a sound through FUMANA and FALISTRI’s quadrature | Live Patching 21
Quadrature mode is something that we tend to overlook and we’re glad to have had to incorporate it in a patch. Pairing it with FUMANA adds an exceptional depth to the sound and makes a simple sequence really gain complexity.
2023-06-26 -
USTA Advanced Workshop
In this workshop, we’d like to engage in a free discussion on USTA’s advanced uses. We’ll skip the usual introduction and assume that you are already familiar with the module’s architecture and…
2023-04-17 -
USTA Advanced Workshop
In this workshop, we’d like to engage in a free discussion on USTA’s advanced uses. We’ll skip the usual introduction and assume that you are already familiar with the module’s architecture and basic concepts.
We’d like you to join and share how YOU use the USTA, how it affects your creative workflow, and what musical results you achieve. It would be also a great opportunity to ask other musicians about their practices.
2023-04-17 -
We used USTA as an oscillator (and as two separate sequencers)
Today we used the USTA sequencer in two ways: as a sequencer, and as an oscillator!
2023-02-20 -
We brute forced FALISTRI’s LFOs into USTA’s polyrhythm
Another live patching session where we improvise a patch from scratch based on three random techniques from our website!
2023-02-20 -
We made some wobble bass with USTA and BRENSO even if it’s no longer 2010
Let’s face it, the wobble bass changed the soundscape of electronic music, whether we like it or not. In this video, we approached this technique in a modular fashion, using BRENSO’s dense modulation routing and USTA’s flexible gate modes.
2023-02-17 -
Arabesques
Usually, the “arabesque” technique requires an analog shift register. Which makes sense: it’s the whole point of the game. However, with the USTA sequencer, we’ve been able to create something similar, albeit limited to 16 notes.
2023-02-17 -
Four ideas for using the USTA sequencer with random clocks
As per request here’s a video where we explore USTA’s behavior in a bunch of random-clock scenarios.
2023-02-15
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Recent Posts
- CUNSA v/s FUMANA: The same patch on two different filters!
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- Memes aside, let’s make Sandstorm by Darude on our Frap Tools system
- Four tips to use CUNSA as a sound source (including ringing and additive synthesis)
- ‘Glass sounds‘ analog through-zero FM patch breakdown with Brenso and Cunsa!