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Tag / brenso
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Polyrhythmic Patterns with USTA and FALISTRI
Today’s challenge taught us an excellent way to enhance a polyrhythmic experience: use two streams of gates to create a fake analog AND through FALISTRI’s four-quadrant multiplier!
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Fake 808!
We faked a 808-type bassline with USTA, FALISTRI, BRENSO, and the CGM
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Exploring BRENSO
That’s an unrecorded, interactive workshop where we discuss the BRENSO. Suits both owners and non-owners! Come on in, ask questions, share thoughts and engage with us!
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Exploring BRENSO
This is a workshop on the USTA sequencer. According to the participants’ request, we’ll cover a wide variety of topics related to the sequencer, such as play modes, specific functions, interaction with other modules, and best practices. Suits experienced users, fresh new owners, and even non-owners!
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Frequency Modulation Part 2: (Through-Zero) Linear FM
Today we dive into one of the greatest topics of modular synthesis: Linear FM. What is Through-Zero? What is the difference between linear and exponential FM? How can we use it for sound design? All these questions and many more will find an answer in today’s video!
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A polyphonic and polyrhythmic patch with USTA, FUMANA and FALISTRI
Today’s random picks forced us to build a patch on FALISTRI’s quadrature mode. It is a special envelope chain where an envelope’s stage trigs another envelope’s stage when it ends.
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We used FUMANA’s Unvoiced Input to add some extra vibes
We picked three more random Techniques and improvised a patch from scratch! This time, they lead us to the Unvoiced Input, which is something that we tend to overlook on the FUMANA.
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Modular Expressiveness ep. 2: Dynamics
If we think about “depth” in music, we think about amplitude variation, or: dynamics. So today, we’ll continue our journey through modular expressiveness by exploring the many ways we can liven up our melody through amplitude.
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Debunking Polyphony
Today we’ll debunk the myth of polyphony! We want to show that you don’t need many oscillators to create a solid harmonic motion. In fact, you can easily achieve a sense of polyphony with just one oscillator, thanks to some hacks that date back to the Baroque era.
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Melodic FUMANA Feedback!
Who says that feedback is just noise? Today we picked three random Techniques from our website that lead us to a nice and groovy patch – with a lot of FUMANA feedback and an odd sequence on the USTA!
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