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FUMANA Feedback Techniques #2
Things are getting serious! This time we will see how to take a feedback loop to the next level with the QSC – Quad Stereo Channel and a little bit of USTA as well. With a Eurorack mixer and sequencer, there is much to uncover, and we can even use FUMANA… As a voice.
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FUMANA Feedback Techniques #1
Want to push your FUMANA beyond its design? We’re here to help! One of the core features of FUMANA is that its capabilities are way more than the sum of its parts. In this video, we cover the most fun among the exotic uses of a filter bank: the feedback. We will see how to create a feedback loop with many tools: 333, 321, CGM, and more.
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Switched-On Bach! Let’s write a four-part fugue on the USTA sequencer.
When we were testing the USTA sequencer, we used one of Bach’s counterpoints to test its capabilities, and we also released it as a teasing video. Someone asked us to show how to program the USTA in such a way, so here we go!
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Glitchy Techno Drums with USTA and BRENSO!
As requested, here’s a step-by-step guide to transforming your BRENSO into a sort of Techno-ish drum machine.
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A polyphonic and polyrhythmic patch with USTA, FUMANA and FALISTRI
Today’s random picks forced us to build a patch on FALISTRI’s quadrature mode. It is a special envelope chain where an envelope’s stage trigs another envelope’s stage when it ends.
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We used FUMANA’s Unvoiced Input to add some extra vibes
We picked three more random Techniques and improvised a patch from scratch! This time, they lead us to the Unvoiced Input, which is something that we tend to overlook on the FUMANA.
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Melodic FUMANA Feedback!
Who says that feedback is just noise? Today we picked three random Techniques from our website that lead us to a nice and groovy patch – with a lot of FUMANA feedback and an odd sequence on the USTA!
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Varishift and TZFM with USTA and BRENSO
This took a lot! The random Techniques that we pick today brought us back to FALISTRI’s release in 2019, but the toughest part was integrating the Varishift parameter in a meaningful way.
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Ignoring BRENSO for 20 minutes (Sidechain Kick and Sync Lead with FALISTRI)
The random Techniques that we picked today forced us to create a patch with a lot of FALISTRI, but no BRENSO! At the very end of the video, we managed to use it, but not for what you think…
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FUMANA Percussions and Weird FALISTRI Oscillators
We had a hard time fitting TWO percussive patches into ONE FUMANA, but we made it! The most satisfying thing about this patch, though, was FALISTRI’s Force Loop input driven at audio rate. It creates a truly WILD sound! It sounded nice even without a sequencer driving it.
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