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- CUNSA – Sound Seasoning
- CGM – Creative Mixer Series
- BRENSO – Entangled Sound Sources
- USTA – The Voltage Score
- FALISTRI – Movement Manager
- SAPÈL – Tamed Random Source
- FUMANA – Dual 16 Bands Spectral Editor
- 321 – Scale + Flip + Shift + Combine
- 333 – ProAudio Sum & Distribution
- SILTA 2016 – discontinued
- SEI – trunk lines – discontinued
- UNO – foldable case
- PLUS – modular modular case
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Category / ideas
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Clock Madness with FALISTRI
Quite an heterodox use of FALISTRI! We routed USTA’s clock through the green generator and used it as a clock delay. However, since it resets on rest, once it passes a certain rate it becomes a clock divider! We paired it with BRENSO’s integrator and pulse shaper for a vintage arpeggiating patch.
2022-07-05 -
Live Patching 9: Noise Oscillators and Polyrhythms with BRENSO, SAPÈL, and USTA
This episode is VERY relaxing! We used SAPÈL’s blue noise to modulate BRENSO’s frequency and add a very soothing lo-fi vibe to our sequence. Then, we blended it with some gates to create a gentle polyrhythm.
2022-04-20 -
Live Patching 8: Quantized Envelopes with USTA, FALISTRI and BRENSO
We improvised a patch where we used USTA as a quantizer to transform a complex envelope into a rollercoaster of ascending and descending swirls of notes!
2022-04-20 -
Live Patching 7: Kick & Reverb Sidechain with USTA, FUMANA, BRENSO, FALISTRI and 321
This time we came up with a nice glitchy drum sound and an eerie pad! We patched the reverb through FUMANA back into the Stereo Channel to create a dissonant feedback that we further tamed with FALISTRI and 321’s combined side chain capabilities.
2022-04-20 -
Live Patching 6: Sub-Harmonics with FALISTRI, BRENSO, and USTA!
This live improvisation incorporates FALISTRI as a sub-harmonic generator (or formant oscillator, as you prefer).
2022-04-20 -
Live Patching 5: Double Drones with BRENSO, FUMANA and SAPÈL!
Making some kind of “music” without a sequencer wasn’t an easy task. But it was fun indeed! We managed to make two flip sync sounds and create a resonant drone, shaped by FUMANA and SAPÈL.
2022-04-13 -
Live Patching 4: Complex Envelopes and Polymeters with USTA and FALISTRI
Today we stumbled upon a classic of our patch archive, the Complex Envelope Technique with FALISTRI. We mixed it with a polymetric patch on the USTA sequencer, as well as some ratcheting gates sent straight into BRENSO’s ping circuit.
2022-04-12 -
Live Patching 3: USTA and FALISTRI’s force loop
By combining USTA’s ratcheting effect, BRENSO’s LFO, and FALISTRI’s Force Loop input, we created this unpredictable patch where each pattern repetition bears different rhythms.
2022-04-12 -
FUMANA Four on the Floor (AKA Filterbank Techno Vibes)
Today we’re going to do an experiment! We try to recreate a popular reel we uploaded on IG. We patched as many Techno staples as we could with just FUMANA, USTA, and BRENSO (ok, also a little bit of FALISTRI): kick drums, acid lines, squelchy filters, and some ambient layers in the background.
2022-04-12 -
Live Patching 2: BRENSO and FUMANA
This patch uses BRENSO, FUMANA, and the USTA sequencer to create a dreamy soundscape with a gentle creaking background.
2022-04-12
Categories
Recent Posts
- CUNSA v/s FUMANA: The same patch on two different filters!
- Subharmonic formant arpeggios patch breakdown: a classic Falistri patch!
- Memes aside, let’s make Sandstorm by Darude on our Frap Tools system
- Four tips to use CUNSA as a sound source (including ringing and additive synthesis)
- ‘Glass sounds‘ analog through-zero FM patch breakdown with Brenso and Cunsa!