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Category / ideas
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Tips for using SAPÈL as… An oscillator
There’s this unwritten rule of modular synthesizers that says: if it goes fast enough, then it’s an oscillator. We just made it up, but it pretty much describes this video. We threw SAPÈL as fast as it could go and saw if it can handle the oscillator’s job! Check out the results.
2023-06-26 -
Adding depth to a sound through FUMANA and FALISTRI’s quadrature | Live Patching 21
Quadrature mode is something that we tend to overlook and we’re glad to have had to incorporate it in a patch. Pairing it with FUMANA adds an exceptional depth to the sound and makes a simple sequence really gain complexity.
2023-06-26 -
FALISTRI Double Formant Chords
We’re quite familiar now with the concept of formant oscillators and the sub-harmonic series. But what if we chain together two oscillators? Well, we can create some interesting chords.
2023-02-20 -
Four tips to make random clocks and clock bursts with SAPÈL
SAPÈL has two built-in clocks that run independently. (Un)fortunately, a clock runs steadily, but sometimes we might want unpredictable timing. Today we see how to do it!
2023-02-20 -
We used USTA as an oscillator (and as two separate sequencers)
Today we used the USTA sequencer in two ways: as a sequencer, and as an oscillator!
2023-02-20 -
We brute forced FALISTRI’s LFOs into USTA’s polyrhythm
Another live patching session where we improvise a patch from scratch based on three random techniques from our website!
2023-02-20 -
We made some wobble bass with USTA and BRENSO even if it’s no longer 2010
Let’s face it, the wobble bass changed the soundscape of electronic music, whether we like it or not. In this video, we approached this technique in a modular fashion, using BRENSO’s dense modulation routing and USTA’s flexible gate modes.
2023-02-17 -
Another trip to the East Coast, but this time with FUMANA and FALISTRI!
We have neither a VCF nor an ADSR, but we have FUMANA and FALISTRI. While not being specifically designed for this purpose, they can get very close. Let’s take a look!
2023-02-17 -
Four-and-a-half advanced FM techniques for the BRENSO complex oscillator
FM synthesis is more precise in the digital world, but more fun in the analog one! Today we pushed BRENSO’s FM a little further with these four-and-a-half exotic FM patches. Check them out and let us know what you think!
2023-02-17 -
Arabesques
Usually, the “arabesque” technique requires an analog shift register. Which makes sense: it’s the whole point of the game. However, with the USTA sequencer, we’ve been able to create something similar, albeit limited to 16 notes.
2023-02-17
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Recent Posts
- CUNSA v/s FUMANA: The same patch on two different filters!
- Subharmonic formant arpeggios patch breakdown: a classic Falistri patch!
- Memes aside, let’s make Sandstorm by Darude on our Frap Tools system
- Four tips to use CUNSA as a sound source (including ringing and additive synthesis)
- ‘Glass sounds‘ analog through-zero FM patch breakdown with Brenso and Cunsa!