Ikeda’s style is famous for its austere structure and meticulously carved sounds. Such precision is achievable in the digital domain, so it may thus sound a bit odd to emulate it with a modular synthesizer, which by definition is “less reliable” than a computer. However, even if we must forgo the exact repeatability of computer music, we can still learn something from this approach that we can transfer to our modular synth: playing with pure tones, and noise, and leaving a lot of space in the mix. Let us know if you liked the result and if you have more ideas!