Loading cart contents...
Tag / FUMANA
-
![]()
3 filter bank tips for FUMANA’s Individual Outputs!
We got a request for diving more into the individual outputs of both FUMANA’s bandpass filter arrays.
-
![]()
How to create a techno rumble with FUMANA (sort of)
FUMANA is great for processing the audio sources, but also the effect return! In this patch, we used it to filter a reverb and create a sort of techno rumble in the modular synthesizer. You can patch FUMANA straight to the CGM return, too!
-
![]()
FUMANA Beats and FALISTRI Formant Riffs
A formant filter usually has three resonant bandpass filters with adjustable frequencies. FUMANA does not resonate and its filters have fixed frequencies. But it doesn’t know! Let’s try to see where we can push it.
-
![]()
Exploring FUMANA
Everything FUMANA! Spectral transferring, parametric scanning, dynamic EQ, vocoding… You name it. Come and join us to share your questions and thoughts. Suits both owners and non-owners.
-
![]()
Exploring FUMANA
Everything FUMANA! Spectral transferring, parametric scanning, dynamic EQ, vocoding… You name it. Come and join us to share your questions and thoughts. Suits both owners and non-owners.
-
![]()
FUMANA Feedback Techniques #2
Things are getting serious! This time we will see how to take a feedback loop to the next level with the QSC – Quad Stereo Channel and a little bit of USTA as well. With a Eurorack mixer and sequencer, there is much to uncover, and we can even use FUMANA… As a voice.
-
![]()
FUMANA Feedback Techniques #1
Want to push your FUMANA beyond its design? We’re here to help! One of the core features of FUMANA is that its capabilities are way more than the sum of its parts. In this video, we cover the most fun among the exotic uses of a filter bank: the feedback. We will see how to create a feedback loop with many tools: 333, 321, CGM, and more.
-
![]()
A polyphonic and polyrhythmic patch with USTA, FUMANA and FALISTRI
Today’s random picks forced us to build a patch on FALISTRI’s quadrature mode. It is a special envelope chain where an envelope’s stage trigs another envelope’s stage when it ends.
-
![]()
We used FUMANA’s Unvoiced Input to add some extra vibes
We picked three more random Techniques and improvised a patch from scratch! This time, they lead us to the Unvoiced Input, which is something that we tend to overlook on the FUMANA.
-
![]()
Sidechain #3
Today we explored another way of using FUMANA’s ALL E.F. output. We used it to tame our reverb send and clear up the mix!
We took advantage of the 321 to scale, invert, and offset it, then patched the result to the QSC effect send.
That’s an easy way to avoid an overcrowded reverb tail!
Loading posts...
