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Month / April 2021
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Fumana Feedback Fest
IDEA A feedback loop is something beautiful and dangerous. It is a delicate ecosystem that is always on the verge of collapse. Once we can keep it balanced, it becomes an excellent… -
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Double Clock Trick
The best way to copy a clock is through the 333 module. But what if you don’t have it? Check out this workaround to get two clocks out of the same SAPÈL’s section!
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Unvoiced Input
Let’s talk a bit about FUMANA’s Unvoiced input! We use it mainly to add a realistic sibilant effect to vocoding tracks. We patch a “sibilant” sound to its input, like a noise, or even a copy of the voice signal.
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Odd/Even Crossfade
By setting a QSC channel to Crossfade, we can blend the ODD and EVEN bands with a single CV, opening up new sonic routes!
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Sidechain #2
Today we created this percussive patch with FUMANA and mixed it with a BRENSO bassline. To give every sound the space it deserves, we used the ALL EF out to duck the bassline. It is a simple but very natural sidechain effect!
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USTA as a Quantizer
Did you know that you can use USTA as a quantizer?
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Reverb Feedback
Who said that the effect send should be patched back to the return? What if we patch it to another channel? Well, that works, but what if we route this channel as well back to the effect send? That’s right, a feedback loop!
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One-Shot Sequence
This time we had USTA controlled by ONE envelope of the FALISTRI! The attenuated envelope controls the clock speed, while the EOR gate plays and stops the sequence.
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Usta Envelopes #2
Here’s another example of USTA’s CV B used to create some funky envelopes to spice up this acid sequence!
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Usta Polymeter #1
Thanks to USTA, we could create an evolving rhythmic structure with just two BRENSO sine waves playing in unison. The key, here, is removing just one stage from one of the sequences.
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