Loading cart contents...
- EURORACK
- CUNSA – Sound Seasoning
- CGM – Creative Mixer Series
- BRENSO – Entangled Sound Sources
- USTA – The Voltage Score
- FALISTRI – Movement Manager
- SAPÈL – Tamed Random Source
- FUMANA – Dual 16 Bands Spectral Editor
- 321 – Scale + Flip + Shift + Combine
- 333 – ProAudio Sum & Distribution
- SILTA 2016 – discontinued
- SEI – trunk lines – discontinued
- UNO – foldable case
- PLUS – modular modular case
- ACCESSORIES
- KNOBS
- 500 SERIES
- RESOURCES
- RESELLERS
- ABOUT
- ACCOUNT
Month / August 2020
-
Timbre Randomness
Sometimes it’s all about having fun. And with SAPÈL and BRENSO, it’s A LOT of fun! Simply patch the Random Clock out to the Ping input, then route the S&H out to the four Timbre parameters through the Timbre Modulation Bus. Then, sit back and enjoy this ever-changing rhythm!
2020-08-31 -
Spectral Sequencing
USTA has 16 outputs, FUMANA 16 bands. Let’s take advantage of this coincidence!
2020-08-31 -
Timbre Sequencing
Another dialogue between USTA and BRENSO: this time, we patched some Raw CV outputs to various CV inputs of the Timbre section. As a result, the fairly simple sequence of the beginning becomes surprisingly alive!
2020-08-31 -
-
USTA Chords
A simple, yet effective way to get some arcade-like chord stabs with the USTA sequencer!
2020-08-31
Loading posts...
Categories
Recent Posts
- CUNSA v/s FUMANA: The same patch on two different filters!
- Subharmonic formant arpeggios patch breakdown: a classic Falistri patch!
- Memes aside, let’s make Sandstorm by Darude on our Frap Tools system
- Four tips to use CUNSA as a sound source (including ringing and additive synthesis)
- ‘Glass sounds‘ analog through-zero FM patch breakdown with Brenso and Cunsa!