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- EURORACK
- CUNSA – Sound Seasoning
- CGM – Creative Mixer Series
- BRENSO – Entangled Sound Sources
- USTA – The Voltage Score
- FALISTRI – Movement Manager
- SAPÈL – Tamed Random Source
- FUMANA – Dual 16 Bands Spectral Editor
- 321 – Scale + Flip + Shift + Combine
- 333 – ProAudio Sum & Distribution
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- SEI – trunk lines – discontinued
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Month / March 2019
-
Accents #2
Another way of adding some spice to your patterns! Use SAPÈL’s S&H to modulate the Fall time of FALISTRI’s envelope: when applied to some white noise, it will provide a sort of open/closed HiHat sound.
2019-03-28 -
Accents #1
Add some dynamics to your patterns through FALISTRI’s MAX out! This patch uses both SAPÈL’s clocks: the main one provides the steady pulse by triggering FALISTRI’s green envelope, the random one trigs the yellow envelope which adds some extra accents: the two envelopes are blended through the MAX output.
2019-03-23 -
Ratcheting-Like Effect #2
This time we’ll get a more spicy ratcheting-like effect! SAPÈL’s n+1 output provides voltages tuned in octaves. If the target oscillates below audio rate, it will simply double its frequency, with interesting ratcheting effects.
2019-03-07
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Recent Posts
- CUNSA v/s FUMANA: The same patch on two different filters!
- Subharmonic formant arpeggios patch breakdown: a classic Falistri patch!
- Memes aside, let’s make Sandstorm by Darude on our Frap Tools system
- Four tips to use CUNSA as a sound source (including ringing and additive synthesis)
- ‘Glass sounds‘ analog through-zero FM patch breakdown with Brenso and Cunsa!